Sunday, September 18, 2011

Weekend Receipts: The Lion King Reclaims Crown in 3-D

The Disney vault opened up up its hefty entrance doors, unleashed a 3-D fury of Jeremy Irons’s draggiest performance, and stormed el born area office a couple of days ago while using Lion King 3d’s completely impressive opening tally. I am hoping this means we’ll be hearing 3-D re-releases of (forgive me) better Disney movies soon. Produce Aladdin, 101 Dalmatians, as well as the Rescuers back, please. We should get children to listen to Bob Newhart’s classic drollness in some manner! I don’t think The Button-Lower Mind of Bob Newhart could be acquired on iTunes yet. 1. The Lion King 3d Gross: $29,300,000 (new) Screens: 2,330 (PSA $12,575) Days: 1 Apparently moviegoers did not share my fear the Lion King 3d would appear just like a typical episode in the Real Regular folks of Nj, since they showed up in this area in groups (prides?) to find out Simba, Nala, Mufasa which bitter full Scar romp around inside the grasslands. How come all Disney villains look the identical? I am in a position to’t tell Scar apart from Jafar or Kevin Jonas. 2. Contagion Gross: $14,480,000 ($44,192,000) Screens: 3,222 (PSA $6,953) Days: 2 Excepting Disney’s fancy re-release, Contagion is constantly petrify and entrance the Purell generation. I consider its September success a little vindication of 2009’s Jennifer’s Body, another (better, wittier, more provocative) thriller released at summer season’s finish that not successful to fill seats due to rather dubious conditions. Hope Contagion likes its high perch relating to this week’s tally, because I suspect inside a couple of days’s Moneyball will slap it right lower. 3. Drive Gross: $11,019,000 (new) Screens: 2,886 (PSA $3,818) Days: 1 The film making you have to draw your individual, lovingly detailed map of los angeles came on strong due to its $13 million budget. The very positive individual to individual and fabulous showings at Cannes as well as the LA Film Festival aided its receipts too, undoubtedly. Also, a hunk of Errol Flynn-y hots named Ryan Gosling stars. A swashbuckler of sweetness, that Gosling! He peers into my feelings and states, “En garde!” 4. The Help Gross: $6,438,000 ($147,365,000) Screens: $3,014 (PSA $2,136) Days: 6 Aw, shit cake. That timeless fall treat! Viola Davis’s Oscar-primed performance keeps wheeling inside the dough, well while watching other female-centric movie that debuts at No. 6 now. I don’t know how she eats it! (The shit cake, I'm speaking about.) 5. Hay Dogs Gross: $5,000,000 (new) Screens: 2,408 (PSA $2,076) Days: 1 Handling a remake of Mike Peckinpah’s harsh classic can be a noble pursuit (mainly within the very bland arena of remakes), but this retooling’s across-the-board reviews — plus a damning one out of your own Alison Willmore — indicate why it trails up to now behind Drive. Can someone let me gold gold coin a Peckinpah pun here? “More like the Mild Bunch in the event you request me!” etc? I’m approaching short. 6. I Don’t Know How She'll It Gross: $4,502,000 Screens: 2,476 (PSA $1,818) Days: 1 SJP, what did I only say for you about producing movies that avoid camping and choke on their own reliability? Have you ever heard about never coming back towards the Morgans, SJP? Because I desired you to definitely certainly find out about it. The tepid-to-terrible reviews of I Don’t Know How She'll It destroyed any shot from the triumphant opening weekend, but no less than this movie isn’t badly since the Family Stone. You won’t leave I Don’t Know How She'll It asking for numerous Diane Keaton’s deadly cancer. [Figures via Box Office Mojo]

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